{"id":200,"date":"2021-11-04T18:55:36","date_gmt":"2021-11-04T18:55:36","guid":{"rendered":"http:\/\/br1056.teste.website\/~panor514\/revista.panoramacritico.com\/?page_id=200"},"modified":"2022-03-18T12:37:00","modified_gmt":"2022-03-18T12:37:00","slug":"taticas-de-artistas-na-america-latina","status":"publish","type":"page","link":"https:\/\/panoramacritico.com\/revista\/livros\/taticas-de-artistas-na-america-latina\/","title":{"rendered":"T\u00e1ticas de Artistas na Am\u00e9rica Latina"},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:37% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"825\" height=\"1024\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Taticas-de-Artistas-na-AL-825x1024.jpg\" alt=\"\" class=\"wp-image-201 size-full\" srcset=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Taticas-de-Artistas-na-AL-825x1024.jpg 825w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Taticas-de-Artistas-na-AL-242x300.jpg 242w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Taticas-de-Artistas-na-AL-768x953.jpg 768w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Taticas-de-Artistas-na-AL-1238x1536.jpg 1238w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Taticas-de-Artistas-na-AL-1651x2048.jpg 1651w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Taticas-de-Artistas-na-AL-1024x1271.jpg 1024w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Taticas-de-Artistas-na-AL-870x1080.jpg 870w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Taticas-de-Artistas-na-AL.jpg 1923w\" sizes=\"auto, (max-width: 825px) 100vw, 825px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><em>Claudia Paim<\/em><\/p>\n\n\n\n<p>Os coletivos e iniciativas coletivas de artistas ou multidisciplinares apresentam singulares modos de fazer. Sua atua\u00e7\u00e3o vigorosa fora dos espa\u00e7os tradicionais de arte chama a aten\u00e7\u00e3o. Com suas pr\u00e1ticas eles inventam e ativam outros espa\u00e7os. O coletivismo pode ser visto como posi\u00e7\u00e3o pol\u00edtica. A criatividade e a arte s\u00e3o as ferramentas principais destas a\u00e7\u00f5es conjuntas que se desenvolvem em espa\u00e7os cotidianos promovendo experimenta\u00e7\u00f5es, experi\u00eancias e inter-rela\u00e7\u00f5es. <\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-outline has-medium-font-size is-style-outline--1\"><a class=\"wp-block-button__link has-vivid-red-color has-text-color\" href=\"https:\/\/panoramacritico.mercadoshops.com.br\/MLB-2188375137-taticas-de-artistas-na-america-latina-_JM\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Comprar!<\/strong><\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\">ISBN: 9788563870063<br>Idioma: portugu\u00eas<br>Edi\u00e7\u00e3o: 1\u00aa <br>Ano: 2012<br>P\u00e1ginas: 200<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong><em>Preview<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-issuu wp-block-embed-issuu\"><div class=\"wp-block-embed__wrapper\">\n<div data-url=\"https:\/\/issuu.com\/panoramacritico\/docs\/livro_paim_amostra_issuu\" style=\"width: 720px; height: 432px;\" class=\"issuuembed\"><\/div><script type=\"text\/javascript\" src=\"\/\/e.issuu.com\/embed.js\" async=\"true\"><\/script>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>ISBN: 9788563870063Idioma: portugu\u00easEdi\u00e7\u00e3o: 1\u00aa Ano: 2012P\u00e1ginas: 200 Preview<\/p>\n","protected":false},"author":3,"featured_media":201,"parent":95,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-200","page","type-page","status-publish","has-post-thumbnail","hentry","post","post-with-thumbnail","post-with-thumbnail-large"],"_links":{"self":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/comments?post=200"}],"version-history":[{"count":29,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/200\/revisions"}],"predecessor-version":[{"id":2037,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/200\/revisions\/2037"}],"up":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/95"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/media\/201"}],"wp:attachment":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/media?parent=200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}