{"id":289,"date":"2021-11-04T21:24:13","date_gmt":"2021-11-04T21:24:13","guid":{"rendered":"http:\/\/br1056.teste.website\/~panor514\/revista.panoramacritico.com\/?page_id=289"},"modified":"2025-05-11T21:25:05","modified_gmt":"2025-05-11T21:25:05","slug":"edicao-02","status":"publish","type":"page","link":"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/edicao-02\/","title":{"rendered":"Edi\u00e7\u00e3o #02"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-css-opacity has-cyan-bluish-gray-background-color has-background is-style-wide\"\/>\n\n\n\n<p> Agosto de 2009 <\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"1024\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa02-640x1024.jpg\" alt=\"\" class=\"wp-image-270 size-full\" srcset=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa02-640x1024.jpg 640w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa02-188x300.jpg 188w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa02-768x1229.jpg 768w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa02-960x1536.jpg 960w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa02-scaled.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Panorama:<br><\/strong>Arte contempor\u00e2nea revelada &#8211; <em>Peter Plagens<\/em><\/p>\n\n\n\n<p><strong>Artigos:<br><\/strong>Uma vis\u00e3o sobre os documentos de trabalho &#8211; <em>Flavio Gon\u00e7alves<\/em><br>Documentos de trabalho: transforma\u00e7\u00f5es no repert\u00f3rio do olhar &#8211; <em>James Zort\u00e9a<\/em><\/p>\n\n\n\n<p><strong>Ensaios:<br><\/strong>DOSSI\u00ca DE MUSEOGRAFIA &#8211; <em>Org.:  Ana Maria Albani de Carvalho<\/em><br>A Falta de Comunica\u00e7\u00e3o e uma Exposi\u00e7\u00e3o para lamentar &#8211; <em>Alice Souza<\/em><br>A curadoria de Iber\u00ea Camargo: um ensaio visual &#8211; <em>Vitor Butkus<\/em><br>Conex\u00f5es e Desconex\u00f5es: A Museografia e a Arquitetura Autoral &#8211; <em>Ismael Monticelli<\/em><\/p>\n\n\n\n<p><strong>Entrevistas:<br><\/strong>Entre o perene e o transit\u00f3rio na obra da artista Maria Helena Bernardes &#8211; <em>Lilian Maus<\/em><\/p>\n\n\n\n<p>Dispon\u00edvel em:<br><a href=\"https:\/\/www.dropbox.com\/scl\/fi\/f0fe1m0qpk9drfzskvyuw\/PanoramaCr-tico-02_pdf.pdf?rlkey=8ko86zt3dwwebicsl0vt4vpdx&amp;dl=1\" data-type=\"URL\" data-id=\"https:\/\/www.dropbox.com\/s\/d5qkdjv08vk4iic\/PanoramaCr%C3%ADtico%2302_pdf.pdf?dl=1\">pdf<\/a>, <a href=\"https:\/\/www.dropbox.com\/scl\/fi\/co0ot4l6p54npjlsgygix\/Revista-PanoramaCritico-02-Panorama-Critico.epub?rlkey=sfk5u38oa6f90yzi1wctwo939&amp;st=3ffapfh4&amp;dl=1\" data-type=\"URL\" data-id=\"https:\/\/www.dropbox.com\/s\/k9i8199lo0dw3jj\/Revista%20PanoramaCritico%2002%20-%20Panorama%20Critico.epub?dl=1\">epub<\/a>, <a href=\"https:\/\/www.dropbox.com\/scl\/fi\/tkz48lffezrapbx6mruh7\/Revista-PanoramaCritico-02-Panorama-Critico.mobi?rlkey=uuqcek0xo9tv7pay7rh0rvjf3&amp;st=1m7w84mz&amp;dl=1\" data-type=\"URL\" data-id=\"https:\/\/www.dropbox.com\/s\/hlx9jdvoulbl9a8\/Revista%20PanoramaCritico%2002%20-%20Panorama%20Critico.mobi?dl=1\">mobi<\/a><strong><br><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><span class=\"sb_cl_prev_page sb_cl\">&#0171; <a href=\"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/edicao-01\/\">Edi\u00e7\u00e3o #01<\/a><\/span>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><span class=\"sb_cl_next_page sb_cl\"><a href=\"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/edicao-03\/\">Edi\u00e7\u00e3o #03<\/a> &#0187;<\/span>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons alignfull is-content-justification-center is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link\" href=\"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/\">          Toda as edi\u00e7\u00f5es anteriores            <\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Agosto de 2009 Panorama:Arte contempor\u00e2nea revelada &#8211; Peter Plagens Artigos:Uma vis\u00e3o sobre os documentos de trabalho &#8211; Flavio Gon\u00e7alvesDocumentos de trabalho: transforma\u00e7\u00f5es no repert\u00f3rio do olhar &#8211; James Zort\u00e9a Ensaios:DOSSI\u00ca DE MUSEOGRAFIA &#8211; Org.: Ana Maria Albani de CarvalhoA Falta de Comunica\u00e7\u00e3o e uma Exposi\u00e7\u00e3o para lamentar &#8211; Alice SouzaA curadoria de Iber\u00ea Camargo: um [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":359,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-289","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/comments?post=289"}],"version-history":[{"count":18,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/289\/revisions"}],"predecessor-version":[{"id":4503,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/289\/revisions\/4503"}],"up":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/media?parent=289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}