{"id":303,"date":"2021-11-04T21:43:05","date_gmt":"2021-11-04T21:43:05","guid":{"rendered":"http:\/\/br1056.teste.website\/~panor514\/revista.panoramacritico.com\/?page_id=303"},"modified":"2025-05-11T21:26:43","modified_gmt":"2025-05-11T21:26:43","slug":"edicao-04","status":"publish","type":"page","link":"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/edicao-04\/","title":{"rendered":"Edi\u00e7\u00e3o #04"},"content":{"rendered":"\n
\n\n\n\n

Fevereiro de 2010 <\/p>\n\n\n\n

\"\"<\/figure>
\n

Panorama:
<\/strong>Depois da s\u00e9tima: Resenha cr\u00edtica sobre a s\u00e9tima bienal do Mercosul – Neiva Bohns<\/em><\/p>\n\n\n\n

Artigos:
<\/strong>Entre inten\u00e7\u00f5es, matura\u00e7\u00f5es e recorda\u00e7\u00f5es: as Bienais de Artes Visuais do Mercosul e a cidade de Porto Alegre – Bianca Knaak<\/em><\/p>\n\n\n\n

Ensaios:
<\/strong>O futuro presente no passado – Gilberto Menegaz<\/em>
Obra Indiz\u00edvel – Lucas Lima Fontana<\/em><\/p>\n\n\n\n

Entrevistas:
<\/strong>Cildo Meireles
Hoffman\u2019s House (Chile)
Nicolas Floch (Fran\u00e7a)
Paul Matosic (Inglaterra)
Fernando Pi\u00e3o <\/p>\n\n\n\n

Dispon\u00edvel em:
pdf<\/a>, epub<\/a>, mobi<\/a><\/p>\n<\/div><\/div>\n\n\n\n

\n
« Edi\u00e7\u00e3o #03<\/a><\/span>\n<\/div>\n\n\n\n
Edi\u00e7\u00e3o #05<\/a> »<\/span>\n<\/div>\n<\/div>\n\n\n\n
\n
Toda as edi\u00e7\u00f5es anteriores <\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Fevereiro de 2010 Panorama:Depois da s\u00e9tima: Resenha cr\u00edtica sobre a s\u00e9tima bienal do Mercosul – Neiva Bohns Artigos:Entre inten\u00e7\u00f5es, matura\u00e7\u00f5es e recorda\u00e7\u00f5es: as Bienais de Artes Visuais do Mercosul e a cidade de Porto Alegre – Bianca Knaak Ensaios:O futuro presente no passado – Gilberto MenegazObra Indiz\u00edvel – Lucas Lima Fontana Entrevistas:Cildo Meireles Hoffman\u2019s House […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":359,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-303","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/comments?post=303"}],"version-history":[{"count":9,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/303\/revisions"}],"predecessor-version":[{"id":4506,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/303\/revisions\/4506"}],"up":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/media?parent=303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}