{"id":306,"date":"2021-11-04T21:44:42","date_gmt":"2021-11-04T21:44:42","guid":{"rendered":"http:\/\/br1056.teste.website\/~panor514\/revista.panoramacritico.com\/?page_id=306"},"modified":"2025-05-11T21:27:19","modified_gmt":"2025-05-11T21:27:19","slug":"edicao-05","status":"publish","type":"page","link":"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/edicao-05\/","title":{"rendered":"Edi\u00e7\u00e3o #05"},"content":{"rendered":"\n
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Abril de 2010 <\/p>\n\n\n\n

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Panorama:
<\/strong>Internacionaliza\u00e7\u00e3o dos 60 e dos 90: A Bienal Americana de C\u00f3rdoba como contraponto \u00e0 Bienal do Mercosul de Porto Alegre – Rodrigo Montero<\/em><\/p>\n\n\n\n

Artigos:
<\/strong>Obra-monstro – Emily Daltro <\/em>
Invas\u00e3o e Reconcilia\u00e7\u00e3o: Investimento desavisado sobre um espa\u00e7o vazio – Guilherme Mautone<\/em>
Danzinger e Macchi e a leveza na complexa tarefa, cotidiana, de existir – J\u00falio C\u00e9sar Herbstrith<\/em><\/p>\n\n\n\n

Ensaios:
<\/strong>O Moonwalk: overdoses de download e transe virtual – Alexandre de Nadal <\/em>
Em Dire\u00e7\u00e3o ao Ch\u00e3o – Eduardo Xavier <\/em>
Aos Vivos – Vitor Butukus<\/em><\/p>\n\n\n\n

Entrevistas:
<\/strong>Paulo Bruscky: Testemunho de sua \u00e9poca<\/p>\n\n\n\n

Dispon\u00edvel em:
pdf<\/a>, epub<\/a>, mobi<\/a><\/p>\n<\/div><\/div>\n\n\n\n

\n
« Edi\u00e7\u00e3o #04<\/a><\/span>\n<\/div>\n\n\n\n
Edi\u00e7\u00e3o #06<\/a> »<\/span>\n<\/div>\n<\/div>\n\n\n\n
\n
Toda as edi\u00e7\u00f5es anteriores <\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Abril de 2010 Panorama:Internacionaliza\u00e7\u00e3o dos 60 e dos 90: A Bienal Americana de C\u00f3rdoba como contraponto \u00e0 Bienal do Mercosul de Porto Alegre – Rodrigo Montero Artigos:Obra-monstro – Emily Daltro Invas\u00e3o e Reconcilia\u00e7\u00e3o: Investimento desavisado sobre um espa\u00e7o vazio – Guilherme Mautone Danzinger e Macchi e a leveza na complexa tarefa, cotidiana, de existir – […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":359,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-306","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/comments?post=306"}],"version-history":[{"count":13,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/306\/revisions"}],"predecessor-version":[{"id":4508,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/306\/revisions\/4508"}],"up":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/media?parent=306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}