{"id":321,"date":"2021-11-04T21:58:23","date_gmt":"2021-11-04T21:58:23","guid":{"rendered":"http:\/\/br1056.teste.website\/~panor514\/revista.panoramacritico.com\/?page_id=321"},"modified":"2025-05-11T21:28:53","modified_gmt":"2025-05-11T21:28:53","slug":"edicao-07","status":"publish","type":"page","link":"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/edicao-07\/","title":{"rendered":"Edi\u00e7\u00e3o #07"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-css-opacity has-cyan-bluish-gray-background-color has-background is-style-wide\"\/>\n\n\n\n<p>Junho de 2010 <\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"1024\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa07-640x1024.jpg\" alt=\"\" class=\"wp-image-275 size-full\" srcset=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa07-640x1024.jpg 640w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa07-188x300.jpg 188w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa07-768x1229.jpg 768w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa07-960x1536.jpg 960w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa07-1280x2048.jpg 1280w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa07-1024x1638.jpg 1024w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa07-675x1080.jpg 675w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa07-scaled.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Panorama:<br><\/strong>Catalisando o processo perceptivo &#8211; <em>Renan Marcondes<\/em><\/p>\n\n\n\n<p><strong>Artigos:<br><\/strong>Autoria e desapari\u00e7\u00e3o na obra de arte &#8211; <em>Amanda Cifuente <\/em><br>Dist\u00e2ncias hist\u00f3ricas, proximidades Ideol\u00f3gicas: tra\u00e7os do discurso colonialista na cr\u00edtica de arte brasileira &#8211; <em>Paulo Salvetti Jr. <\/em><br>Grupo Varal de gravura: a constru\u00e7\u00e3o de um sonho coletivo &#8211;<em> Franquilandia G. R. Raft<\/em><\/p>\n\n\n\n<p><strong>Ensaios:<br><\/strong>A constru\u00e7\u00e3o do corpo coletivo: A dimens\u00e3o pol\u00edtica da obra de Lygia Clark &#8211; <em>Carlos Alberto Dias <\/em><br>A Permeabilidade na Cr\u00edtica da Arte &#8211; <em>Daniela Blanco<\/em> <br>Algumas rela\u00e7\u00f5es entre os museus e os regimes de valora\u00e7\u00e3o da arte &#8211; <em>Jo\u00e3o Paulo Sacchetto<\/em> <br>Caetano Dias rejuntado &#8211; <em>Maicyra Le\u00e3o<\/em> <br>O Projeto Meio &#8211; <em>Marcos Sari e Daniele Marx<\/em> <br>PINO &#8211; <em>Laila Terra<\/em><\/p>\n\n\n\n<p><strong>Entrevistas:<br><\/strong>Jos\u00e9 Roca \u2013 curador da 8\u00aa Bienal do Mercosul <br>Lu\u00eds Carlos Mandelli \u2013 presidente da 8\u00aa Bienal do Mercosul <br>Bianca Knaak &#8211; Porto Alegre, mundo e lugar nas bienais do Mercosul<\/p>\n\n\n\n<p><strong>Ensaio Visual:<br><\/strong>Fotogramas: Uma nova narrativa &#8211; <em>Adreson<\/em><\/p>\n\n\n\n<p>Dispon\u00edvel em:<br><a href=\"https:\/\/www.dropbox.com\/scl\/fi\/k32n0mshfd2wklr4ux03h\/PanoramaCr-tico-07_pdf.pdf?rlkey=8x0zthq81mdjskjv9qvlo4ii1&amp;dl=1\" data-type=\"URL\" data-id=\"https:\/\/www.dropbox.com\/s\/eg5ml8n8hdvtwjv\/PanoramaCr%C3%ADtico%2307_pdf.pdf?dl=1\">pdf<\/a>, <a href=\"https:\/\/www.dropbox.com\/scl\/fi\/j48t12ho0t6iiulegutlm\/Revista-PanoramaCritico-07-Panorama-Critico.epub?rlkey=co3sk1klaguf4gf3rxn3kv2z4&amp;st=x1y4xuwn&amp;dl=1\" data-type=\"URL\" data-id=\"https:\/\/www.dropbox.com\/s\/vkug1srpu38m1r7\/Revista%20PanoramaCritico%2007%20-%20Panorama%20Critico.epub?dl=1\">epub<\/a>, <a href=\"https:\/\/www.dropbox.com\/scl\/fi\/fe0wnsiw3g1n9n16masfg\/Revista-PanoramaCritico-07-Panorama-Critico.mobi?rlkey=jfjkyoi9wd20lmu2fsqx52wwz&amp;st=uu6h6bfl&amp;dl=1\" data-type=\"URL\" data-id=\"https:\/\/www.dropbox.com\/s\/6rgvpsc3o17gwnn\/Revista%20PanoramaCritico%2007%20-%20Panorama%20Critico.mobi?dl=1\">mobi<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><span class=\"sb_cl_prev_page sb_cl\">&#0171; <a href=\"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/edicao-06\/\">Edi\u00e7\u00e3o #06<\/a><\/span>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><span class=\"sb_cl_next_page sb_cl\"><a href=\"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/edicao-08-09\/\">Edi\u00e7\u00e3o #08 & 09<\/a> &#0187;<\/span>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons alignfull is-content-justification-center is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link\" href=\"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/\">          Toda as edi\u00e7\u00f5es anteriores            <\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Junho de 2010 Panorama:Catalisando o processo perceptivo &#8211; Renan Marcondes Artigos:Autoria e desapari\u00e7\u00e3o na obra de arte &#8211; Amanda Cifuente Dist\u00e2ncias hist\u00f3ricas, proximidades Ideol\u00f3gicas: tra\u00e7os do discurso colonialista na cr\u00edtica de arte brasileira &#8211; Paulo Salvetti Jr. Grupo Varal de gravura: a constru\u00e7\u00e3o de um sonho coletivo &#8211; Franquilandia G. R. Raft Ensaios:A constru\u00e7\u00e3o do [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":359,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-321","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/comments?post=321"}],"version-history":[{"count":12,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/321\/revisions"}],"predecessor-version":[{"id":4510,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/321\/revisions\/4510"}],"up":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/media?parent=321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}