{"id":334,"date":"2021-11-04T23:42:01","date_gmt":"2021-11-04T23:42:01","guid":{"rendered":"http:\/\/br1056.teste.website\/~panor514\/revista.panoramacritico.com\/?page_id=334"},"modified":"2025-05-11T21:30:03","modified_gmt":"2025-05-11T21:30:03","slug":"edicao-10","status":"publish","type":"page","link":"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/edicao-10\/","title":{"rendered":"Edi\u00e7\u00e3o #10"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-css-opacity has-cyan-bluish-gray-background-color has-background is-style-wide\"\/>\n\n\n\n<p>Mar\u00e7o de 2011   <\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"1024\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa10-640x1024.jpg\" alt=\"\" class=\"wp-image-277 size-full\" srcset=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa10-640x1024.jpg 640w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa10-188x300.jpg 188w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa10-768x1229.jpg 768w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa10-960x1536.jpg 960w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa10-1280x2048.jpg 1280w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa10-1024x1638.jpg 1024w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa10-675x1080.jpg 675w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/Capa10-scaled.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Panorama:<br><\/strong>Verbetes para um Auto-Retrato &#8211; <em>Leonardo Ara\u00fajo<\/em><\/p>\n\n\n\n<p><strong>Artigos:<br><\/strong>Camadas Pict\u00f3ricas: uso e desdobramentos na hist\u00f3ria da arte &#8211; <em>Jander Luiz Rama<\/em> <br>A revista horizonte e o realismo socialista dos anos 50 &#8211; <em>Manoel Henrique Paulo<\/em> <br>Quando o Corpo se transforma: Considera\u00e7\u00f5es sobre algumas rela\u00e7\u00f5es entre corpo e mercado de arte em porto alegre na d\u00e9cada de 1970 &#8211; <em>Paulo Salvetti Jr <\/em><br>Tempo Contempor\u00e2neo: o distanciamento do presente atrav\u00e9s de lentes do passado &#8211; <em>Rodrigo Hip\u00f3lito<\/em><\/p>\n\n\n\n<p><strong>Ensaios:<br><\/strong>DOSSI\u00ca PR\u00c1TICAS ART\u00cdSTICAS E SUAS INSER\u00c7\u00d5ES<br>Apresenta\u00e7\u00e3o: o pensamento em ato &#8211; <em>Maria ivone dos Santos<\/em> <br>O projeto circuitos compartilhados e algumas observa\u00e7\u00f5es sobre os circuitos de arte contempor\u00e2nea no Brasil. &#8211; <em>Newton Goto <\/em><br>Pr\u00e1ticas de espa\u00e7os e outras t\u00e1ticas de artistas &#8211; <em>Claudia Paim<\/em> <br>Arte na cidade: do lado de fora, no meio de tudo &#8211; <em>Neiva Bohns <\/em><br>Um lugar dentro do lugar &#8211; <em>Rubens Mano<\/em> <br>O coletivo C.D.M. (Centro De Desintoxica\u00e7\u00e3o Midi\u00e1tica) e os \u201cpseudo-artistas\u201d. &#8211; <em>Ricardo Perufo Mello<\/em><\/p>\n\n\n\n<p><strong>Entrevistas:<br><\/strong>R\u00e9plica &#8211; Rubens Mano<\/p>\n\n\n\n<p><strong>Ensaio Visual:<br><\/strong>O Mundo Imagin\u00e1rio de J\u00falia Bacelar<\/p>\n\n\n\n<p>Dispon\u00edvel em:<br><a href=\"https:\/\/www.dropbox.com\/scl\/fi\/b15bc5ilcofq1h9jejtdd\/PanoramaCr-tico-10_pdf.pdf?rlkey=v1e1e9xe49bw0ager8x6qib5e&amp;dl=1\" data-type=\"URL\" data-id=\"https:\/\/www.dropbox.com\/s\/tcern6d74v1ojm4\/PanoramaCr%C3%ADtico%2310_pdf.pdf?dl=1\">pdf<\/a>, <a href=\"https:\/\/www.dropbox.com\/scl\/fi\/v1ny7nurr64i2tnyg4wp3\/Revista-PanoramaCritico-10-Panorama-Critico.epub?rlkey=n2gagb3f8nluf4ilcryyfj4kw&amp;st=9f5iigyc&amp;dl=1\" data-type=\"URL\" data-id=\"https:\/\/www.dropbox.com\/s\/ocx63dv3vpmdu0x\/Revista%20PanoramaCritico%2010%20-%20Panorama%20Critico.epub?dl=1\">epub<\/a>, <a href=\"https:\/\/www.dropbox.com\/scl\/fi\/kk3el0ewroba9hiq1tru4\/Revista-PanoramaCritico-10-Panorama-Critico.mobi?rlkey=4zmk4nwe7xkybw63piq7zw1oy&amp;st=bhn3pyvq&amp;dl=1\" data-type=\"URL\" data-id=\"https:\/\/www.dropbox.com\/s\/bcr9ogvf32wwuq3\/Revista%20PanoramaCritico%2010%20-%20Panorama%20Critico.mobi?dl=1\">mobi<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><span class=\"sb_cl_prev_page sb_cl\">&#0171; <a href=\"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/edicao-08-09\/\">Edi\u00e7\u00e3o #08 & 09<\/a><\/span>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><span class=\"sb_cl_next_page sb_cl\"><a href=\"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/edicao-11\/\">Edi\u00e7\u00e3o #11<\/a> &#0187;<\/span>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons alignfull is-content-justification-center is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link\" href=\"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/\">          Toda as edi\u00e7\u00f5es anteriores            <\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Mar\u00e7o de 2011 Panorama:Verbetes para um Auto-Retrato &#8211; Leonardo Ara\u00fajo Artigos:Camadas Pict\u00f3ricas: uso e desdobramentos na hist\u00f3ria da arte &#8211; Jander Luiz Rama A revista horizonte e o realismo socialista dos anos 50 &#8211; Manoel Henrique Paulo Quando o Corpo se transforma: Considera\u00e7\u00f5es sobre algumas rela\u00e7\u00f5es entre corpo e mercado de arte em porto alegre [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":359,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-334","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/comments?post=334"}],"version-history":[{"count":11,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/334\/revisions"}],"predecessor-version":[{"id":4512,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/334\/revisions\/4512"}],"up":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/media?parent=334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}