{"id":473,"date":"2021-11-13T19:51:57","date_gmt":"2021-11-13T19:51:57","guid":{"rendered":"https:\/\/panoramacritico.com\/revista\/?page_id=473"},"modified":"2022-07-01T14:15:57","modified_gmt":"2022-07-01T14:15:57","slug":"revista-panorama-critico","status":"publish","type":"page","link":"https:\/\/panoramacritico.com\/revista\/revista-panorama-critico\/","title":{"rendered":"Revista Panorama Cr\u00edtico"},"content":{"rendered":"\n<p class=\"has-text-align-right has-normal-font-size\"><strong>ISSN 1984-624X<\/strong><\/p>\n\n\n<div class=\"n2_clear\"><ss3-force-full-width data-overflow-x=\"body\" data-horizontal-selector=\"body\"><div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"7\" tabindex=\"0\" role=\"region\" aria-label=\"Slider\"><div id=\"n2-ss-7-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><div id=\"n2-ss-7\" data-creator=\"Smart Slider 3\" data-responsive=\"fullwidth\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition  \">\n\n\n\n<div class=\"n2-ss-slider-wrapper-inside\">\n        <div class=\"n2-ss-slider-1 n2_ss__touch_element n2-ow\">\n            <div class=\"n2-ss-slider-2 n2-ow\">\n                                                <div class=\"n2-ss-slider-3 n2-ow\">\n\n                    <div class=\"n2-ss-slide-backgrounds n2-ow-all\"><div class=\"n2-ss-slide-background\" data-public-id=\"1\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"20\" data-x=\"47\" data-y=\"39\" data-alt=\"\" data-title=\"\" style=\"opacity:0.2;--ss-o-pos-x:47%;--ss-o-pos-y:39%\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/panoramacritico.com\/revista\/wp-content\/uploads\/slider\/cache\/89682b02c5abd9afb81cbe53cb2ced28\/Maroso-scaled.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(0,0,0,1)\" style=\"background-color: RGBA(0,0,0,1);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"2\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"20\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\" style=\"opacity:0.2\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/panoramacritico.com\/revista\/wp-content\/uploads\/slider\/cache\/8fc8889060c93b0f361a7b660e94b88c\/Xadalu_Sartori2022-1.png\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(0,0,0,1)\" style=\"background-color: RGBA(0,0,0,1);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"3\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"20\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\" style=\"opacity:0.2\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/panoramacritico.com\/revista\/wp-content\/uploads\/slider\/cache\/14c1ef052f825b683f379726f1cac369\/P_20220608_145903_SRES-1-scaled.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(0,0,0,1)\" style=\"background-color: RGBA(0,0,0,1);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"4\" data-mode=\"fill\"><div data-color=\"RGBA(0,0,0,1)\" style=\"background-color: RGBA(0,0,0,1);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"5\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"20\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\" style=\"opacity:0.2\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/panoramacritico.com\/revista\/wp-content\/uploads\/slider\/cache\/cfad5c932acd6d49f5c7606da698c85f\/Capa_Talitha.png\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(0,0,0,1)\" style=\"background-color: RGBA(0,0,0,1);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"6\" data-mode=\"fill\"><div data-color=\"RGBA(199,10,10,1)\" style=\"background-color: RGBA(199,10,10,1);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"7\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"91\" data-alt=\"\" data-title=\"\" style=\"--ss-o-pos-y:91%\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/panoramacritico.com\/revista\/wp-content\/uploads\/slider\/cache\/b650eddeff988f2b959cd325042eb015\/Carrossel_ChamadaTextos.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"8\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/panoramacritico.com\/revista\/wp-content\/uploads\/slider\/cache\/68ccf0184dcfa4fcf26e77d99c9cc6cf\/Carrossel_doe-1.png\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"9\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/panoramacritico.com\/revista\/wp-content\/uploads\/slider\/cache\/0121b65299626d40a8e704cc939893d8\/Carrossel_ChamadaTextos.png\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><\/div>                    <div class=\"n2-ss-slider-4 n2-ow\">\n                        <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1200 300\" data-related-device=\"desktopPortrait\" class=\"n2-ow n2-ss-preserve-size n2-ss-preserve-size--slider n2-ss-slide-limiter\"><\/svg><div data-first=\"1\" data-slide-duration=\"0\" data-id=\"86\" data-slide-public-id=\"1\" data-title=\"Elias Maroso\" class=\"n2-ss-slide n2-ow  n2-ss-slide-86\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">Elias Maroso<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-ctcvOninW9E8\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-iZDGKgdaFMjP\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-iZDGKgdaFMjP-inner\"><div class=\"n2-ss-layer n2-ow n-uc-Utv7WofBIKBB\" data-pm=\"normal\" data-sstype=\"layer\"><div id=\"n2-ss-7item1\" class=\"  n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\"><a class=\"n2-ow n2-font-33ea47c23631a46eb451909013eeaa03-hover \" style=\"display:block;\" href=\"https:\/\/panoramacritico.com\/revista\/o-artista-como-trabalhador-precarizado-entrevista-com-elias-maroso\/\">Entradas e sa\u00eddas, atravessamentos e o artista como trabalhador precarizado<\/a><\/div><\/div><div class=\"n2-ss-layer n2-ow n-uc-GHxbujCGSAfK\" data-pm=\"normal\" data-sstype=\"layer\"><div id=\"n2-ss-7item2\" class=\"  n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\"><a class=\"n2-ow n2-font-690b2e820ed835f2b92facb47c5563d3-hover \" style=\"display:block;\" href=\"https:\/\/panoramacritico.com\/revista\/ensaios-sobre-dadiva-expurgo-e-promessa-e-bandido-morto-entrevista-com-renato-valle\/\">Entrevista com Elias Maroso<br><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"94\" data-slide-public-id=\"2\" data-title=\"Um olhar particular sobre a cole\u00e7\u00e3o Sartori\" class=\"n2-ss-slide n2-ow  n2-ss-slide-94\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">Um olhar particular sobre a cole\u00e7\u00e3o Sartori<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-Py3xT641s41K\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-KfoPwssc0ll9\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-KfoPwssc0ll9-inner\"><div class=\"n2-ss-layer n2-ow n-uc-1vGEGfH04TMZ\" data-pm=\"normal\" data-sstype=\"layer\"><div id=\"n2-ss-7item3\" class=\"  n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\"><a class=\"n2-ow n2-font-837f65f7d94a2d5c4aec5a39b510c180-hover \" style=\"display:block;\" href=\"https:\/\/panoramacritico.com\/revista\/um-olhar-particular-sobre-a-colecao-sartori\/\">Um olhar particular sobre a cole\u00e7\u00e3o Sartori<\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"96\" data-slide-public-id=\"3\" data-title=\"Um olhar particular sobre a cole\u00e7\u00e3o Sartori\" class=\"n2-ss-slide n2-ow  n2-ss-slide-96\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">Um olhar particular sobre a cole\u00e7\u00e3o Sartori<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-oP1aYiixTauN\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-YUG2J85JkntZ\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-YUG2J85JkntZ-inner\"><div class=\"n2-ss-layer n2-ow n-uc-lqm8DNPVZMFr\" data-pm=\"normal\" data-sstype=\"layer\"><div id=\"n2-ss-7item4\" class=\"  n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\"><a class=\"n2-ow n2-font-33ea47c23631a46eb451909013eeaa03-hover \" style=\"display:block;\" href=\"https:\/\/panoramacritico.com\/revista\/ensaios-sobre-dadiva-expurgo-e-promessa-e-bandido-morto-entrevista-com-renato-valle\/\">Ensaios sobre d\u00e1diva, expurgo e promessa\u2026 e bandido morto!<\/a><\/div><\/div><div class=\"n2-ss-layer n2-ow n-uc-HBnNEQcC5cJc\" data-pm=\"normal\" data-sstype=\"layer\"><div id=\"n2-ss-7item5\" class=\"  n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\"><a class=\"n2-ow n2-font-690b2e820ed835f2b92facb47c5563d3-hover \" style=\"display:block;\" href=\"https:\/\/panoramacritico.com\/revista\/ensaios-sobre-dadiva-expurgo-e-promessa-e-bandido-morto-entrevista-com-renato-valle\/\">Entrevista com Renato Valle<br><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"61\" data-slide-public-id=\"4\" data-title=\"Slide\" class=\"n2-ss-slide n2-ow  n2-ss-slide-61\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">Slide<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-JFi5tQ9jfMr8\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-aHLxfoIR01AV\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-aHLxfoIR01AV-inner\"><div class=\"n2-ss-layer n2-ow n-uc-0dQRoWZomDFS\" data-pm=\"normal\" data-sstype=\"layer\"><div id=\"n2-ss-7item6\" class=\"n2-font-948bac5d282314bcbe54eb79d91f6700-hover   n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\">Est\u00e1 no ar a nova edi\u00e7\u00e3o!!!<\/div><\/div><div class=\"n2-ss-layer n2-ow n-uc-Uu3yOiGAQK3L\" data-pm=\"normal\" data-sstype=\"layer\"><div class=\"n2-ss-item-content n2-ss-text n2-ow-all\"><div class=\"\"><p class=\"n2-font-f29e17af02eb1b14d62ae1e5f1d73ebf-paragraph   \">(Voltar para existir&#8230;)<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"87\" data-slide-public-id=\"5\" data-title=\"Panorama Cr\u00edtico: Persistente Vontade de Publicar\" class=\"n2-ss-slide n2-ow  n2-ss-slide-87\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">Panorama Cr\u00edtico: Persistente Vontade de Publicar<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-GipjlzE86UBQ\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-XML7E3gKbhUO\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-XML7E3gKbhUO-inner\"><div class=\"n2-ss-layer n2-ow n-uc-iQ0LRbJ2Df8c\" data-pm=\"normal\" data-sstype=\"layer\"><div id=\"n2-ss-7item8\" class=\"  n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\"><a class=\"n2-ow n2-font-837f65f7d94a2d5c4aec5a39b510c180-hover \" style=\"display:block;\" href=\"https:\/\/panoramacritico.com\/revista\/panorama-critico-persistente-vontade-de-publicar\/\">Panorama Cr\u00edtico: Persistente Vontade de Publicar<\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"52\" data-slide-public-id=\"6\" data-title=\"Slide\" class=\"n2-ss-slide n2-ow  n2-ss-slide-52\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">Slide<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-ZraFKn134lu8\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-6lnfwisgSRom\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-6lnfwisgSRom-inner\"><div class=\"n2-ss-layer n2-ow n-uc-CsuLrtAYgoO7\" data-pm=\"normal\" data-sstype=\"layer\"><div class=\" n2-ss-item-image-content n2-ss-item-content n2-ow-all\"><img decoding=\"async\" id=\"n2-ss-7item9\" alt=\"\" class=\"skip-lazy\" style=\"width:auto;height:350px\" loading=\"lazy\" width=\"1200\" height=\"630\" data-skip-lazy=\"1\" src=\"\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/11\/panorama-Branco-transparente.png\" \/><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"71\" data-slide-public-id=\"7\" data-title=\"Ed Anteriores\" class=\"n2-ss-slide n2-ow  n2-ss-slide-71\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">Ed Anteriores<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-pWofRZE8DjMh\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-cZ9NLSd3us6w\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-cZ9NLSd3us6w-inner\"><div class=\"n2-ss-layer n2-ow n-uc-GMU1QHNLLogZ\" data-pm=\"normal\" data-sstype=\"layer\"><div id=\"n2-ss-7item10\" class=\"  n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\"><a class=\"n2-ow n2-font-4f6691d18dc337c54bacc43b163be5d8-hover n2-style-a8c16f05c2ef3384a4270dfc737d784f-heading \" style=\"display:block;\" href=\"https:\/\/panoramacritico.com\/revista\/edicoes-anteriores\/\">Edi\u00e7\u00f5es Anteriores<\/a><\/div><\/div><div class=\"n2-ss-layer n2-ow n-uc-0ZyTlpSSYwFX\" data-pm=\"normal\" data-sstype=\"layer\"><div class=\"n2-ss-item-content n2-ss-text n2-ow-all\"><div class=\"\"><p class=\"n2-font-20f385f801b2a5af218e2459ae80a73f-paragraph   \">Leia as edi\u00e7\u00f5es publicadas no primeiro Volume da revista<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"57\" data-slide-public-id=\"8\" data-title=\"Contribua\" class=\"n2-ss-slide n2-ow  n2-ss-slide-57\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">Contribua<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-z2U1SDJ9VYHu\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-tbTqJixJeI6t\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-tbTqJixJeI6t-inner\"><div class=\"n2-ss-layer n2-ow n-uc-Y8KM0SKf9gGy\" data-pm=\"normal\" data-sstype=\"layer\"><div id=\"n2-ss-7item12\" class=\"  n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\"><a class=\"n2-ow n2-font-fb271550d4a03f3ac2699e5b95103bd8-hover \" style=\"display:block;\" href=\"https:\/\/panoramacritico.com\/revista\/contribua\/\">Contribua!<\/a><\/div><\/div><div class=\"n2-ss-layer n2-ow n-uc-wl0SivFlWeUt\" data-pm=\"normal\" data-sstype=\"layer\"><div class=\"n2-ss-item-content n2-ss-text n2-ow-all\"><div class=\"\"><p class=\"n2-font-881d8d47b3add6f09b24b310d9a5695c-paragraph   \">Ajude a Panorama Cr\u00edtico a seguir existindo&#8230;<br \/>\nSua ajuda \u00e9 importante!!<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"60\" data-slide-public-id=\"9\" data-title=\"Submiss\u00e3o\" class=\"n2-ss-slide n2-ow  n2-ss-slide-60\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">Submiss\u00e3o<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-Nn0mfONjg4CR\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-FxVpCTJGBJaT\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-FxVpCTJGBJaT-inner\"><div class=\"n2-ss-layer n2-ow n-uc-sIr3GgHnwZve\" data-pm=\"normal\" data-sstype=\"layer\"><div id=\"n2-ss-7item14\" class=\"n2-font-68c4991a835a50052761ee215aeb39ab-hover   n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\">Submiss\u00e3o de textos<\/div><\/div><div class=\"n2-ss-layer n2-ow n-uc-uw02SOE1MufW\" data-pm=\"normal\" data-sstype=\"layer\"><div class=\"n2-ss-item-content n2-ss-text n2-ow-all\"><div class=\"\"><p class=\"n2-font-b486010d15311c56bbb5965ed85105e6-paragraph   \">fluxo cont\u00ednuo<\/p>\n<\/div><\/div><\/div><div class=\"n2-ss-layer n2-ow n2-ss-layer--block n2-ss-has-self-align n-uc-132ffceb7873f\" data-pm=\"normal\" data-sstype=\"row\"><div class=\"n2-ss-layer-row n2-ss-layer-with-background n-uc-132ffceb7873f-inner\"><div class=\"n2-ss-layer-row-inner \"><div class=\"n2-ss-layer n2-ow n-uc-1c0f67c456e92\" data-pm=\"default\" data-sstype=\"col\"><div class=\"n2-ss-layer-col n2-ss-layer-with-background n2-ss-layer-content n-uc-1c0f67c456e92-inner\"><\/div><\/div><div class=\"n2-ss-layer n2-ow n-uc-1a9ca19ea4da6\" data-pm=\"default\" data-sstype=\"col\"><div class=\"n2-ss-layer-col n2-ss-layer-with-background n2-ss-layer-content n-uc-1a9ca19ea4da6-inner\"><\/div><\/div><\/div><\/div><\/div><div class=\"n2-ss-layer n2-ow n-uc-4aiLKHcfrQH9 n2-ss-layer--auto\" data-pm=\"normal\" data-sstype=\"layer\"><div class=\"n2-ss-button-container n2-ss-item-content n2-ow n2-font-aa17aaeef61b48c1ce9107526e93a5f5-link  n2-ss-nowrap n2-ss-button-container--non-full-width\"><a class=\"n2-style-9280b2703a00d0b8e307e23fec6dbd49-heading  n2-ow \" href=\"https:\/\/panoramacritico.com\/revista\/submissao\/\"><div><div>ENVIE!<\/div><\/div><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div>                    <\/div>\n\n                                    <\/div>\n            <\/div>\n        <\/div>\n        <div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-left-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-previous  nextend-arrow-animated-fade\" id=\"n2-ss-7-arrow-previous\" role=\"button\" aria-label=\"previous arrow\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"n2-arrow-normal-img skip-lazy\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS40MzMgMTUuOTkyTDIyLjY5IDUuNzEyYy4zOTMtLjM5LjM5My0xLjAzIDAtMS40Mi0uMzkzLS4zOS0xLjAzLS4zOS0xLjQyMyAwbC0xMS45OCAxMC45NGMtLjIxLjIxLS4zLjQ5LS4yODUuNzYtLjAxNS4yOC4wNzUuNTYuMjg0Ljc3bDExLjk4IDEwLjk0Yy4zOTMuMzkgMS4wMy4zOSAxLjQyNCAwIC4zOTMtLjQuMzkzLTEuMDMgMC0xLjQybC0xMS4yNTctMTAuMjkiCiAgICAgICAgICBmaWxsPSIjZmZmZmZmIiBvcGFjaXR5PSIwLjgiIGZpbGwtcnVsZT0iZXZlbm9kZCIvPgo8L3N2Zz4=\" alt=\"previous arrow\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"n2-arrow-hover-img skip-lazy\" data-skip-lazy=\"1\" 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src=\"data:image\/svg+xml;base64,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\" alt=\"next arrow\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-center-bottom\"><div style=\"--widget-offset:10px;\" class=\"n2-ss-widget n2-ss-control-bullet n2-ow-all n2-ss-control-bullet-horizontal\"><div class=\" nextend-bullet-bar n2-bar-justify-content-center\" role=\"group\" aria-label=\"Choose slide to display.\"><div class=\"n2-bullet n2-style-13586a9834f840c6e3b0e8ac4aa4b69c-dot \" style=\"visibility:hidden;\"><\/div><\/div><\/div><\/div><\/div><\/div><ss3-loader><\/ss3-loader><\/div><\/div><div class=\"n2_clear\"><\/div><\/div><\/ss3-force-full-width><\/div>\n\n\n<h2 class=\"wp-block-heading\">&#8230;existir para resistir! <\/h2>\n\n\n\n<h2 class=\"has-vivid-red-color has-text-color wp-block-heading\"><strong>Revista Panorama Cr\u00edtico Volume 02<\/strong><\/h2>\n\n\n\n<p>Nestes tempos sombrios, de cerceamento, sentimos a necessidade de novamente nos perguntar: o que podemos fazer do nosso lugar? A resposta foi <strong>\u201cvoltar!\u201d<\/strong>. N\u00e3o apenas para preencher lacunas e criar espa\u00e7os de pensamento e de trocas, mas principalmente, para estar, existir. Pois estar e existir \u00e9 um gesto de resist\u00eancia para os tempos atuais.<\/p>\n\n\n\n<p>Ap\u00f3s um hiato de 10 anos, Panorama Cr\u00edtico inicia uma nova etapa. Retomando \u00e0queles princ\u00edpios geradores e, considerando o cen\u00e1rio atual, apresentando-se como um espa\u00e7o democr\u00e1tico aberto e plural dispon\u00edvel de forma aberta e gratuita. Sempre buscando promover&nbsp; o debate, a reflex\u00e3o e a divulga\u00e7\u00e3o do pensamento cr\u00edtico sobre as artes visuais.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-themezee-magazine-blocks-grid tz-magazine-block \"><div class=\"tz-magazine-grid-columns tz-magazine-grid-columns-4\"><div class=\"tz-post-wrap\"><article id=\"post-3174\" class=\"tz-magazine-post post-3174 post tz-type-post status-publish format-standard has-post-thumbnail hentry category-arte category-artigo category-artigos category-artistas category-brasil category-brasileira category-contemporanea category-edicao-03 category-volume-02 tag-apropriacao tag-arte-contemporanea tag-artes-visuais post-with-thumbnail post-with-thumbnail-large\"><figure class=\"tz-entry-image entry-image\"><a href=\"https:\/\/panoramacritico.com\/revista\/reflexoes-sobre-o-conceito-de-apropriacao-e-sua-utilizacao-como-estrategia-operatoria-no-contexto-de-uma-arte-objetual-contemporanea\/\" rel=\"bookmark\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2023\/02\/Capa-Bruno5-300x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" \/><\/a><\/figure><header class=\"tz-entry-header entry-header\"><h2 class=\"tz-entry-title entry-title\"><a href=\"https:\/\/panoramacritico.com\/revista\/reflexoes-sobre-o-conceito-de-apropriacao-e-sua-utilizacao-como-estrategia-operatoria-no-contexto-de-uma-arte-objetual-contemporanea\/\" rel=\"bookmark\">Reflex\u00f5es sobre o conceito de apropria\u00e7\u00e3o, e sua utiliza\u00e7\u00e3o como estrat\u00e9gia operat\u00f3ria no contexto de uma arte objetual contempor\u00e2nea<\/a><\/h2><\/header><div class=\"tz-entry-content entry-content\"><p>por Bruno Teixeira. A apropria\u00e7\u00e3o e utiliza\u00e7\u00e3o de objetos como elementos de cria\u00e7\u00e3o art\u00edstica n\u00e3o \u00e9 pr\u00e1tica recente, tendo sido utilizada na arte do s\u00e9culo XX <span class=\"tz-excerpt-more\">[&hellip;]<\/span><\/p><p class=\"tz-read-more read-more\"><a href=\"https:\/\/panoramacritico.com\/revista\/reflexoes-sobre-o-conceito-de-apropriacao-e-sua-utilizacao-como-estrategia-operatoria-no-contexto-de-uma-arte-objetual-contemporanea\/\" class=\"tz-more-link more-link\" rel=\"bookmark\">Leia mais<\/a><\/p><\/div><\/article><\/div><div class=\"tz-post-wrap\"><article id=\"post-2987\" class=\"tz-magazine-post post-2987 post tz-type-post status-publish format-standard has-post-thumbnail hentry category-arte category-artistas category-brasil category-brasileira category-contemporanea category-edicao-03 category-entrevista category-volume-02 tag-arte-contemporanea tag-artes-visuais tag-bienal-do-mercosul tag-elias-maroso post-with-thumbnail post-with-thumbnail-large\"><figure class=\"tz-entry-image entry-image\"><a href=\"https:\/\/panoramacritico.com\/revista\/o-artista-como-trabalhador-precarizado-entrevista-com-elias-maroso\/\" rel=\"bookmark\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2023\/02\/Capa-Elias-1-300x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" \/><\/a><\/figure><header class=\"tz-entry-header entry-header\"><h2 class=\"tz-entry-title entry-title\"><a href=\"https:\/\/panoramacritico.com\/revista\/o-artista-como-trabalhador-precarizado-entrevista-com-elias-maroso\/\" rel=\"bookmark\">Entradas e sa\u00eddas, atravessamentos e o artista como trabalhador precarizado &#8211; entrevista com Elias Maroso<\/a><\/h2><\/header><div class=\"tz-entry-content entry-content\"><p>por Panorama Cr\u00edtico. Em uma tarde escaldante e abafada do in\u00edcio de dezembro em Porto Alegre, me encontro com o artista visual Elias Maroso para uma agrad\u00e1vel conversa no Multicultura Caf\u00e9. Ap\u00f3s cerca de uma <span class=\"tz-excerpt-more\">[&hellip;]<\/span><\/p><p class=\"tz-read-more read-more\"><a href=\"https:\/\/panoramacritico.com\/revista\/o-artista-como-trabalhador-precarizado-entrevista-com-elias-maroso\/\" class=\"tz-more-link more-link\" rel=\"bookmark\">Leia mais<\/a><\/p><\/div><\/article><\/div><div class=\"tz-post-wrap\"><article id=\"post-2316\" class=\"tz-magazine-post post-2316 post tz-type-post status-publish format-standard has-post-thumbnail hentry category-arte category-edicao02 category-entrevista category-volume-02 post-with-thumbnail post-with-thumbnail-large\"><figure class=\"tz-entry-image entry-image\"><a href=\"https:\/\/panoramacritico.com\/revista\/ensaios-sobre-dadiva-expurgo-e-promessa-e-bandido-morto-entrevista-com-renato-valle\/\" rel=\"bookmark\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/06\/Capa-Renato-300x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" \/><\/a><\/figure><header class=\"tz-entry-header entry-header\"><h2 class=\"tz-entry-title entry-title\"><a href=\"https:\/\/panoramacritico.com\/revista\/ensaios-sobre-dadiva-expurgo-e-promessa-e-bandido-morto-entrevista-com-renato-valle\/\" rel=\"bookmark\">Ensaios sobre d\u00e1diva, expurgo e promessa&#8230; e bandido morto! &#8211; Entrevista com Renato Valle<\/a><\/h2><\/header><div class=\"tz-entry-content entry-content\"><p>por Panorama Cr\u00edtico. Em uma agrad\u00e1vel tarde de fim de outono, encontramos com o artista, Renato Valle, para uma conversa sobre a exposi\u00e7\u00e3o Ensaios sobre d\u00e1diva, expurgo e promessa, em cartaz na galeria Xico Stockinger <span class=\"tz-excerpt-more\">[&hellip;]<\/span><\/p><p class=\"tz-read-more read-more\"><a href=\"https:\/\/panoramacritico.com\/revista\/ensaios-sobre-dadiva-expurgo-e-promessa-e-bandido-morto-entrevista-com-renato-valle\/\" class=\"tz-more-link more-link\" rel=\"bookmark\">Leia mais<\/a><\/p><\/div><\/article><\/div><div class=\"tz-post-wrap\"><article id=\"post-1942\" class=\"tz-magazine-post post-1942 post tz-type-post status-publish format-standard has-post-thumbnail hentry category-arte category-brasil category-brasileira category-contemporanea category-edicao01 category-ensaio category-volume-02 tag-arte-contemporanea tag-artes-visuais tag-margs post-with-thumbnail post-with-thumbnail-large\"><figure class=\"tz-entry-image entry-image\"><a href=\"https:\/\/panoramacritico.com\/revista\/um-olhar-particular-sobre-a-colecao-sartori\/\" rel=\"bookmark\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/Xadalu_Sartori2022-1-300x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" \/><\/a><\/figure><header class=\"tz-entry-header entry-header\"><h2 class=\"tz-entry-title entry-title\"><a href=\"https:\/\/panoramacritico.com\/revista\/um-olhar-particular-sobre-a-colecao-sartori\/\" rel=\"bookmark\">Um olhar particular sobre a cole\u00e7\u00e3o Sartori<\/a><\/h2><\/header><div class=\"tz-entry-content entry-content\"><p>por J\u00falio C\u00e9sar Herbstrith. Estudar arte contempor\u00e2nea \u00e9 um ato de perp\u00e9tua desconstru\u00e7\u00e3o, ver arte contempor\u00e2nea, tamb\u00e9m. Geralmente quando escrevemos sobre arte contempor\u00e2nea, partimos de uma ideia ou ideias do que seja o contempor\u00e2neo, e <span class=\"tz-excerpt-more\">[&hellip;]<\/span><\/p><p class=\"tz-read-more read-more\"><a href=\"https:\/\/panoramacritico.com\/revista\/um-olhar-particular-sobre-a-colecao-sartori\/\" class=\"tz-more-link more-link\" rel=\"bookmark\">Leia mais<\/a><\/p><\/div><\/article><\/div><div class=\"tz-post-wrap\"><article id=\"post-1573\" class=\"tz-magazine-post post-1573 post tz-type-post status-publish format-standard has-post-thumbnail hentry category-arte category-artigo category-volume-02 post-with-thumbnail post-with-thumbnail-large\"><figure class=\"tz-entry-image entry-image\"><a href=\"https:\/\/panoramacritico.com\/revista\/panorama-critico-persistente-vontade-de-publicar\/\" rel=\"bookmark\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/12\/Capa_Talitha-300x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" \/><\/a><\/figure><header class=\"tz-entry-header entry-header\"><h2 class=\"tz-entry-title entry-title\"><a href=\"https:\/\/panoramacritico.com\/revista\/panorama-critico-persistente-vontade-de-publicar\/\" rel=\"bookmark\">Panorama Cr\u00edtico: Persistente Vontade de Publicar<\/a><\/h2><\/header><div class=\"tz-entry-content entry-content\"><p>por Talitha Motter. O presente texto relata como a Panorama Cr\u00edtico contribuiu para a minha atua\u00e7\u00e3o no mundo das artes, tra\u00e7ando reflex\u00f5es sobre os processos que envolvem a edi\u00e7\u00e3o de uma revista, bem como os <span class=\"tz-excerpt-more\">[&hellip;]<\/span><\/p><p class=\"tz-read-more read-more\"><a href=\"https:\/\/panoramacritico.com\/revista\/panorama-critico-persistente-vontade-de-publicar\/\" class=\"tz-more-link more-link\" rel=\"bookmark\">Leia mais<\/a><\/p><\/div><\/article><\/div><div class=\"tz-post-wrap\"><article id=\"post-1596\" class=\"tz-magazine-post post-1596 post tz-type-post status-publish format-standard has-post-thumbnail hentry category-arte category-volume-02 post-with-thumbnail post-with-thumbnail-large\"><figure class=\"tz-entry-image entry-image\"><a href=\"https:\/\/panoramacritico.com\/revista\/sobre-a-terra-desolada-para-qual-panorama-devemos-olhar\/\" rel=\"bookmark\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/12\/Capa_Lilian-300x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" \/><\/a><\/figure><header class=\"tz-entry-header entry-header\"><h2 class=\"tz-entry-title entry-title\"><a href=\"https:\/\/panoramacritico.com\/revista\/sobre-a-terra-desolada-para-qual-panorama-devemos-olhar\/\" rel=\"bookmark\">Sobre a terra desolada, para qual panorama devemos olhar?<\/a><\/h2><\/header><div class=\"tz-entry-content entry-content\"><p>por Lilian Maus. Decidir o que fica para a hist\u00f3ria ou mesmo o que \u00e9 visto aos milhares pelas massas na Internet nunca \u00e9 uma escolha neutra e objetiva. Os documentos s\u00e3o fruto de interpreta\u00e7\u00e3o, <span class=\"tz-excerpt-more\">[&hellip;]<\/span><\/p><p class=\"tz-read-more read-more\"><a href=\"https:\/\/panoramacritico.com\/revista\/sobre-a-terra-desolada-para-qual-panorama-devemos-olhar\/\" class=\"tz-more-link more-link\" rel=\"bookmark\">Leia mais<\/a><\/p><\/div><\/article><\/div><div class=\"tz-post-wrap\"><article id=\"post-1565\" class=\"tz-magazine-post post-1565 post tz-type-post status-publish format-standard has-post-thumbnail hentry category-arte category-editorial category-volume-02 post-with-thumbnail post-with-thumbnail-large\"><figure class=\"tz-entry-image entry-image\"><a href=\"https:\/\/panoramacritico.com\/revista\/voltar-para-existir-existir-para-resistir\/\" rel=\"bookmark\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2021\/12\/Capa_Existir-300x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" \/><\/a><\/figure><header class=\"tz-entry-header entry-header\"><h2 class=\"tz-entry-title entry-title\"><a href=\"https:\/\/panoramacritico.com\/revista\/voltar-para-existir-existir-para-resistir\/\" rel=\"bookmark\">Voltar para existir, existir para resistir&#8230;<\/a><\/h2><\/header><div class=\"tz-entry-content entry-content\"><p>Editorial. A cultura em geral e a arte contempor\u00e2nea passaram a ser gradualmente vigiadas e atacadas por parte de um reacionarismo emergente autodenominado \u201cconservador\u201d. Sob a bandeira dos bons costumes, um verdadeiro balaio de fan\u00e1ticos <span class=\"tz-excerpt-more\">[&hellip;]<\/span><\/p><p class=\"tz-read-more read-more\"><a href=\"https:\/\/panoramacritico.com\/revista\/voltar-para-existir-existir-para-resistir\/\" class=\"tz-more-link more-link\" rel=\"bookmark\">Leia mais<\/a><\/p><\/div><\/article><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>ISSN 1984-624X &#8230;existir para resistir! Revista Panorama Cr\u00edtico Volume 02 Nestes tempos sombrios, de cerceamento, sentimos a necessidade de novamente nos perguntar: o que podemos fazer do nosso lugar? A resposta foi \u201cvoltar!\u201d. N\u00e3o apenas para preencher lacunas e criar espa\u00e7os de pensamento e de trocas, mas principalmente, para estar, existir. Pois estar e existir [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":769,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-473","page","type-page","status-publish","has-post-thumbnail","hentry","post","post-with-thumbnail","post-with-thumbnail-large"],"_links":{"self":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/comments?post=473"}],"version-history":[{"count":36,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/473\/revisions"}],"predecessor-version":[{"id":2409,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/473\/revisions\/2409"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/media\/769"}],"wp:attachment":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/media?parent=473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}