{"id":648,"date":"2021-11-18T02:34:07","date_gmt":"2021-11-18T02:34:07","guid":{"rendered":"https:\/\/panoramacritico.com\/revista\/?page_id=648"},"modified":"2023-12-07T17:54:35","modified_gmt":"2023-12-07T17:54:35","slug":"farois-do-rs","status":"publish","type":"page","link":"https:\/\/panoramacritico.com\/revista\/livros\/farois-do-rs\/","title":{"rendered":"Far\u00f3is do Rio Grande do Sul: Um Registro Hist\u00f3rico e Fotogr\u00e1fico"},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-02-1024x1024.png\" alt=\"\" class=\"wp-image-1889 size-full\" srcset=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-02-1024x1024.png 1024w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-02-300x300.png 300w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-02-150x150.png 150w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-02-768x768.png 768w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-02.png 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-left\"><em>Claudio Tarta<br><\/em><br>Um extenso registro fotogr\u00e1fico dos far\u00f3is da regi\u00e3o, com enfoque nos seus aspectos art\u00edsticos e paisag\u00edsticos, al\u00e9m dos detalhes de sua estrutura interior e dos equipamentos seculares de ilumina\u00e7\u00e3o, demonstra, de maneira in\u00e9dita em nossa literatura, a preocupa\u00e7\u00e3o com uma obra completa e que contribua para a preserva\u00e7\u00e3o desses patrim\u00f4nios hist\u00f3ricos e arquiteturais.<\/p>\n\n\n\n<p>O livro traz, ainda, entrevista com o \u00faltimo descendente em atividade de uma gera\u00e7\u00e3o de faroleiros que marcou a hist\u00f3ria do Rio Grande do Sul, resgatando essas figuras m\u00edticas que, anonimamente e com muita dificuldade, v\u00eam dedicando suas vidas ao \u00e1rduo e solit\u00e1rio trabalho de iluminar o caminho dos navegantes.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-outline has-medium-font-size is-style-outline--1\"><a class=\"wp-block-button__link has-vivid-red-color has-text-color wp-element-button\" href=\"https:\/\/panoramacritico.mercadoshops.com.br\/MLB-2190090626-farois-do-rs-um-registro-historico-e-fotografico-_JM\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Comprar!<\/strong><\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p class=\"has-small-font-size\">ISBN: 9786589388005<br>Idioma: portugu\u00eas<br>Edi\u00e7\u00e3o: 1\u00aa <br>Ano: 2022<br>P\u00e1ginas: 258   <\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity alignfull\"\/>\n\n\n\n\n\n\n<h4 class=\"wp-block-heading\" id=\"exemplo-de-galeria\">Far\u00f3is do Rio Grande do Sul: Um Registro Hist\u00f3rico e Fotogr\u00e1fico<\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-5 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1080\" data-id=\"1889\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-02.png\" alt=\"\" class=\"wp-image-1889\" srcset=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-02.png 1080w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-02-300x300.png 300w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-02-1024x1024.png 1024w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-02-150x150.png 150w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-02-768x768.png 768w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"1888\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-1024x1024.png\" alt=\"\" class=\"wp-image-1888\" srcset=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-1024x1024.png 1024w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-300x300.png 300w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-150x150.png 150w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois-768x768.png 768w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/02\/Farois.png 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1080\" data-id=\"2027\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/2.png\" alt=\"\" class=\"wp-image-2027\" srcset=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/2.png 1080w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/2-300x300.png 300w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/2-1024x1024.png 1024w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/2-150x150.png 150w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/2-768x768.png 768w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"2030\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/5-1024x1024.png\" alt=\"\" class=\"wp-image-2030\" srcset=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/5-1024x1024.png 1024w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/5-300x300.png 300w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/5-150x150.png 150w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/5-768x768.png 768w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/5.png 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1080\" data-id=\"2029\" src=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/4-1024x1024.png\" alt=\"\" class=\"wp-image-2029\" srcset=\"https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/4-1024x1024.png 1024w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/4-300x300.png 300w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/4-150x150.png 150w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/4-768x768.png 768w, https:\/\/panoramacritico.com\/revista\/wp-content\/uploads\/2022\/03\/4.png 1080w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>ISBN: 9786589388005Idioma: portugu\u00easEdi\u00e7\u00e3o: 1\u00aa Ano: 2022P\u00e1ginas: 258 Far\u00f3is do Rio Grande do Sul: Um Registro Hist\u00f3rico e Fotogr\u00e1fico<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":95,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-648","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/comments?post=648"}],"version-history":[{"count":38,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/648\/revisions"}],"predecessor-version":[{"id":3804,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/648\/revisions\/3804"}],"up":[{"embeddable":true,"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/pages\/95"}],"wp:attachment":[{"href":"https:\/\/panoramacritico.com\/revista\/wp-json\/wp\/v2\/media?parent=648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}